Saturday, December 17, 2011
Friday, December 16, 2011
Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.
Monday, December 12, 2011
“You’ll likely notice that the real world does have this interesting mix of, like, crushing monotony and paralyzing terror. There’s the crushing monotony of waking up at the same time, sitting in the same traffic, going to the same job, and then coming home to pay the same bills with your only distractions being, like, television and video games and YouTube. But there’s also the constant paralyzing terror of knowing that if you somehow screw up sitting in traffic or working at your job or paying your rent, you will be homeless and hungry and alone.”
| — | John Green |
My thoughts about my upcoming History and Structure final:
Come home soon, Tessa? Now?
Sunday, December 11, 2011
Language describes, but description tends to emerge precisely when nomenclature falters or when the names assigned to objects fail to render them adequately. The world almost never resembles its linguistic mugshot. Exposing the inadequacy of the world to compass the thing, description is allotted the thankless task of representing the misfit things that cannot be immediately assimilated to the world as we already know it. It thus serves as a heuristic device, as a virtual perspective that reveals something about out relationship to objects, or about the relationship between words and objects, that we cannot perceive in our everyday experience of them.
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